Skip to content
A global directory of newspapers, TV, radio, magazines and news mediaDiscover a different perspective
WorldNMWorld News Media Directory

WORLD NEWS MEDIA DIRECTORY

SS Music

Explore this media outlet and visit its official website.

About SS Music

SS Music

SS Music, or Southern Spice Music, was a satellite music television channel based in Chennai, Tamil Nadu, that became one of the defining youth brands of South Indian television in the 2000s. Launched on 14 April 2001, it was a multilingual music channel broadcasting film songs from the Tamil, Telugu, Malayalam and Kannada industries, together with Hindi and international music, presented in English by a generation of video jockeys who became household names in the South. At its peak it was rated the number one music channel of South India and was compared by the press with MTV and Channel V. The satellite channel later left the air, and the SS Music name was subsequently relaunched as an entertainment brand on digital platforms.

Overview

SS Music was conceived as a South Indian answer to the national music channels. Where MTV and Channel V concentrated on Hindi and international pop for audiences in the North and West of India, Southern Spice Music built its schedule around the film music of the four major South Indian languages — Tamil, Telugu, Malayalam and Kannada — while also playing English, Hindi and non-film music around the clock. Its language of presentation was English, which gave the channel a youthful, cosmopolitan feel while its song library remained rooted in South Indian cinema. That combination — South Indian songs, English-speaking hosts, and a pace modelled on the international music channels — was the channel's founding idea and the source of its early success.

History and Launch

SS Music was launched on 14 April 2001, the Tamil New Year period, from Chennai. The channel was promoted by Santiago Martin, whose business interests were centred on lotteries, and it was operated by Fortune Media Private Limited. Accounts of the channel's origins record that it was started as a channel to announce lottery results: a lottery draw occupies only a short part of the day, so music videos filled the remaining hours. The fillers, unexpectedly, became the attraction. Viewers responded to a full-time South Indian music service far more strongly than the lottery format alone would have suggested, and SS Music developed into a music channel in its own right.

Within a year of launch the channel underwent a complete change of look, which trade reports credited with a significant boost to viewership. By its third anniversary in April 2004, its head of sales and marketing was publicly describing it as the number one music channel in South India, and the press comparisons with MTV and Channel V within its first year were cited by the channel itself as a high point. In 2004 MTV India approached the company about a takeover under which the channel would have been branded as MTV South; the deal fell through, and SS Music continued as an independent brand. Trade commentary later described how the channel at one stage displaced MTV in ratings in Tamil Nadu and held a consistent position among the leading music channels in the South.

Ownership and the Martin Group

The channel's ownership set it apart from most Indian music channels, which belonged to large broadcast networks. SS Music belonged to Fortune Media, promoted by Santiago Martin, a figure best known for building one of India's largest lottery businesses, with Jose Charles Martin later listed among the channel's key people. The lottery connection was not incidental to the channel's existence: the business provided both the original reason for the channel — announcing results — and the entrepreneurial backing that allowed a Chennai-based, single-channel company to compete for young viewers against Viacom's MTV and other network-owned rivals. The proposed MTV takeover in 2004 underlined how valuable that independent position had become within three years of launch; that it did not proceed left SS Music as one of the few successful independent music brands of its era.

Language and Genre

SS Music described itself as the only multilingual music channel in India, playing music in English, Tamil, Telugu, Malayalam, Kannada and Hindi. Its genre was popular music in the broadest sense: film songs from the South Indian industries formed the core, surrounded by Hindi film music, international tracks from the United States, the United Kingdom and Europe, and non-film music. For South Indian viewers in the early 2000s, film songs were the popular music of everyday life, and a channel that treated the four southern industries as equals — rather than as regional supplements to a Hindi-led schedule — filled a gap that the national channels had left open. Contemporary marketing analysis of the brand made exactly that point: the channel succeeded because an unsatisfied need for a South Indian music channel already existed, and SS Music, almost by accident, was the service that met it.

Programming and Presenters

What turned a song library into a brand was SS Music's presenters and formatted shows. The channel's video jockeys — among them VJ Craig, VJ Sriya Reddy, VJ Paloma, VJ Pooja, VJ Rajiv, VJ Shyam, VJ Carry and VJ Shaunak — became familiar faces to a generation of South Indian viewers, and the channel was credited with turning its VJs into style icons for its audience. Its daily shows included Reach Out, Virtual Request, Connect, FIR, Hi5, Room with a View, a career show and Game Station, formats built around requests, interaction and youth lifestyle rather than passive song play.

Alongside the daily programmes, SS Music built event and reality formats that carried its name beyond the schedule. Shows such as Voice Hunt, VJ Factor, Launchpad, Dance with Me and Challenge were credited with making the channel famous across South India: talent searches that fitted a music channel's promise to its audience, offering young viewers not just songs to watch but a route onto the screen themselves. The request-led programmes of its early years, including viewers' choice formats, were remembered in later brand studies as blockbuster strands of the schedule, and the channel's interactive style — English presentation, lively hosts, direct audience participation — set the template that later southern music channels would follow.

Audience and Positioning

SS Music positioned itself explicitly for the youth of South India, describing its mission as bringing a South Indian attitude to music and entertainment television of the kind that the national channels provided for the North and West. Trade reports in its later years described its core appeal in the 19-to-35 age group and noted its strength among upmarket young viewers in English-language music viewing; a 2009 exchange4media report recorded the channel claiming the highest ratings among English music channels in selected categories of its target audience, as it moved to refresh its programming and, in its own phrase, rekindle its past glory. A production head associated with the channel's launch returned to lead programming at that stage, underlining how strongly the brand's identity rested on the team that had created its original look and its VJ culture.

The channel's reach extended beyond the four southern states to the metros of Mumbai and Delhi, a footprint noted in reports of MTV's interest in 2004. For advertisers, it offered something unusual: a single buy that reached young consumers across Tamil, Telugu, Malayalam and Kannada markets, unified by English presentation and film music that crossed state lines more easily than fiction or news.

Later Years and Digital Relaunch

The satellite channel did not survive the transformation of Indian music television in the following decade, when network-owned music channels, devotional and film-song services, and finally YouTube and streaming apps fragmented the audience that SS Music had pioneered. The brand, however, did not disappear. The channel was relaunched as an entertainment service on digital platforms, and in 2018 discussion of a fuller return — complete with VJ auditions, revived interview programming under a cafe format, and nostalgic social-media campaigns built around the channel's return — showed how much affection the name still commanded among viewers who had grown up with it. Subsequent reporting on its digital expansion described SS Music developing spin-off YouTube and social properties and converting its online presence into new entertainment formats, with its operators appearing more interested in the digital platform than in a satellite return.

That afterlife is itself a measure of the channel's impact. Few defunct Indian music channels have retained enough goodwill to sustain relaunches, auditions and revival campaigns years after leaving satellite television. SS Music's VJs remained reference points for its audience, its show titles were still recalled by name, and its story passed into marketing teaching as a case study of a brand created almost by accident that briefly outperformed the giants of its genre.

Legacy

SS Music's legacy rests on three achievements. First, it demonstrated, earlier than any national network acted on the insight, that South Indian film music could sustain a dedicated, round-the-clock, multilingual channel. Second, it created a VJ culture in the South to rival Mumbai's, launching presenters whose names its audience still remembers. Third, it did all of this as an independent, lottery-promoted Chennai company competing against international networks — and was taken seriously enough by the largest of them to attract a takeover approach within three years of launch. Southern Spice Music began as a way to fill the hours around a lottery draw; it ended its satellite life as the channel that had defined how young South India watched music on television.

Notable Facts

SS Music was launched on 14 April 2001 in Chennai by Fortune Media, promoted by Santiago Martin. It was originally conceived to announce lottery results, with music videos as filler. It played music in six languages — Tamil, Telugu, Malayalam, Kannada, Hindi and English — and presented in English. It was relaunched in look after its first year, was rated the number one music channel in South India by its third anniversary, and was the subject of an unsuccessful MTV takeover approach in 2004 that would have rebranded it as MTV South. Its best-known programmes included Voice Hunt, VJ Factor, Reach Out, Virtual Request and Connect, and its presenters included Craig, Sriya Reddy, Paloma and Pooja. The brand was later relaunched on digital platforms.

Coverage & topics

See the official website for current coverage.

Related media

View all →

&flix

TV Channels

Mumbai, Maharashtra, India

English

&flix is a television channel owned by Zee Entertainment Enterprises Limited (ZEEL), currently operating as a sports channel after a genre conversion that took effect on April 1,…

→

&Pictures

TV Channels

Mumbai, Maharashtra, India

English

Overview &pictures is a Hindi-language satellite movie channel based in Mumbai and owned by Zee Entertainment Enterprises Limited (ZEEL). Launched on 18 August 2013, it was the first…

→

&Privé HD

TV Channels

Mumbai, Maharashtra, India

English

&Privé HD &Privé HD was a premium English-language movie channel from Zee Entertainment Enterprises, based in Mumbai, that set out to show Indian viewers the other side of…

→

&TV

TV Channels

Mumbai, Maharashtra, India

English

&TV is an Indian Hindi-language general entertainment television channel owned and operated by Zee Entertainment Enterprises Limited (ZEEL), headquartered in Mumbai, Maharashtra. Launched on 2 March 2015, it…

→

&TV

TV Channels

London, England, United Kingdom

English

&TV &TV, also known as And TV, is a Hindi-language general entertainment channel owned by Zee Entertainment Enterprises (ZEEL). Launched in India on 2 March 2015 and in…

→

About this listing

Where can I read or listen to this outlet?

Use Visit official website. The publisher controls access, subscriptions, schedules and availability.

Does WorldNM endorse this outlet?

No. A listing helps identify a source. It is not an endorsement or a guarantee of its reporting.