About BeanScene
BeanScene
Overview
BeanScene is Australia's coffee industry magazine, a print and digital title published by Prime Creative Media from Melbourne for the café sector of Australia and New Zealand. It covers the whole coffee business — growers and importers, roasters, equipment manufacturers, café owners and chains, and the baristas who front the industry — in a deliberate blend of trade journalism and lifestyle storytelling that sets it apart from a conventional business-to-business title.
Published since 2009, BeanScene appears in print around six times a year, supported by a news website at beanscenemag.com.au that publishes coffee news daily, a weekly digital newsletter, social channels and a podcast. The magazine reached its 100th issue in 2025. Its stated mission, in the publisher's words, is to promote, enhance and grow the coffee industry in Australia and around the world, and its coverage is built around people: the roasters, café operators, competitors and manufacturers whose work defines one of the world's most developed café cultures.
History
BeanScene's first issue was printed in 2009, the year the magazine was acquired by Prime Creative Media, one of Australia's largest independent B2B publishers. The title arrived as Australian café culture was entering a period of rapid growth, and the new owners built it around contributions from the industry itself. Christine Clancy, one of the magazine's early editors and now Prime Creative Media's chief executive officer, has recalled that the strategy from the start was to enlist the coffee scene's thought leaders and innovators as contributors: the journalists' job, as she put it, was storytelling — telling the stories of the people doing incredible things and sharing their knowledge. Several elements established in those early years remain fixtures today, among them the Knowledge Leader interview series, the Espresso Yourself latte art tutorials and the Café Scene profiles of notable cafés.
Sarah Baker, who joined the magazine alongside Clancy and went on to edit BeanScene for more than a decade before becoming its publisher, has described how immersion in the barista competition scene built the magazine's loyal readership: covering competitions connected the title with café operators and aspiring baristas and shaped its understanding of what the audience wanted. That competition link deepened when Prime Creative Media launched the Melbourne International Coffee Expo (MICE) in 2012; the expo hosted the World Barista Championship in 2013 and again in 2022, and BeanScene chronicled the era in which Australians Sasa Sestic (2015) and Anthony Douglas (2022) were crowned World Barista Champions and Caleb Cha won the World Latte Art Championship (2015).
Through the 2010s and into the 2020s the magazine documented grind-on-demand technology, the rise of automation, changing café regulation and the COVID-19 disruption of the café landscape. In 2025 it published its 100th issue, marking sixteen years and one hundred editions under Prime Creative Media — a milestone the magazine used to gather reflections and predictions from figures across the Australasian coffee industry.
Programming and Content
BeanScene's website organises coverage into clear streams. Coffee News carries daily industry reporting; Features includes industry issues, interviews and the Knowledge Leader series of in-depth conversations with sector leaders; Coffee Community covers competitions, events and people, including sustainability initiatives; Industry Insights spans café business analysis, green bean sourcing, manufacturers, milk and alternative milks, and roasters; and Equipment & Tech covers automation, coffee machines, grinders, milk steaming and roasting technology. A Café Scene section profiles cafés state by state across Australia and in New Zealand — the print magazine's long-running Café Scene profiles in digital form, tracing venues from their first openings onward.
The print edition retains the character built in its early years: long-form interviews, café profiles, technical education pieces and latte art tutorials sit alongside product coverage and industry analysis. Signature franchises such as Knowledge Leader and Espresso Yourself have run since the beginning. In 2026 the magazine's web coverage ranged from equipment launches by manufacturers such as Wega and Franke to café business advice, plant-based milk pioneers and latte art features, and the BeanScene Podcast extended the brand into audio, with episodes including a September 2026 conversation on buying cafés. The magazine also maintains close coverage of the competition calendar — barista, brewers and latte art championships at state, national and world level — reflecting the readership-building role competitions played in its own history.
Audience and Reach
BeanScene is written for the professional coffee community and the enthusiastic consumers around it. As Prime Creative Media describes the readership, the magazine has captured the attention of coffee roasters, bean and machine importers, café owners, café chain owners and executives, and the many auxiliary products and services that support the coffee industry in Australia and around the globe. Distribution leans on the industry's physical network: through partnerships with coffee houses, cafés and coffee chains, the print magazine is placed in venues where it is read over coffee, and café owners across Australia and New Zealand subscribe to the print editions and the weekly digital newsletter. The publisher does not publish an audited circulation figure for the title; its longevity — one hundred issues by 2025 — and its position as the coffee title of the country's largest B2B publisher, alongside the MICE expo, are the clearest measures of its standing in the sector. The magazine carries the ISSN 1449-2547 and is also distributed to libraries and institutions through digital magazine services such as EBSCO's Flipster.
Digital Presence
Beanscenemag.com.au is the magazine's daily face: a news and features site publishing coffee news, interviews, equipment coverage and café profiles throughout the week, with articles dated into October 2026 when checked. The site offers newsletter sign-up, subscription and advertising information, a page for reading the latest print edition, and a dedicated section for MICE, the Melbourne International Coffee Expo run by its publisher. The BeanScene Podcast distributes interviews and industry conversations through podcast platforms, and the magazine maintains an active presence on social media, where Café Scene subjects and contributors regularly share their appearances in its pages — a feedback loop the magazine itself has noted since its early years. Digital editions of the print magazine are also distributed through international digital newsstand services, including Zinio, extending the title's reach to readers outside the Australasian café trade's physical distribution network.
Ownership and Organisation
BeanScene is owned and published by Prime Creative Media (Prime Creative Pty Ltd), the Melbourne-based B2B publishing and events company that acquired the title in 2009. The magazine operates from Prime Creative Media's head office at 379 Docklands Drive, Docklands, Melbourne. Its masthead in the June 2026 issue listed Christine Clancy — one of the magazine's early editors — as chief executive officer, Sarah Baker, the magazine's long-serving former editor, as publisher, and Myles Hume as group managing editor, with journalists Daniel Woods and Meg Kennedy, art director Daz Woolley and a commercial team supporting the title. BeanScene sits within a Prime Creative Media portfolio of industry magazines and events, and its sister event MICE, launched by the publisher in 2012, has grown into one of the world's leading coffee expos, attracting more than 15,000 attendees in its record 2022 edition.
Contact and Availability
BeanScene is available by subscription from the publisher in print, with the current edition also presented through the magazine's website at beanscenemag.com.au, which carries subscription, advertising and contact pages as well as the free weekly newsletter. General enquiries are directed to Prime Creative Media, 379 Docklands Drive, Docklands, Victoria 3008, telephone +61 3 9690 8766 and fax +61 3 9682 0044, with subscription enquiries handled by the publisher on the same telephone number. The magazine's website footer confirms that all content published on the site is the property of Prime Creative Media.